I’m just in from the Edinburgh launch of the new 404 Ink anthology We were always here – what a celebration of current queer writing in Scotland. Congratulations to the editors Ryan and Michael, and to all the contributors. I’m thrilled that my voice is one among many contained in the pink, faux animal print covers. Get yourself a copy if you haven’t already!
Anyway, it seemed a good excuse for one of my occasional posts on how I came to write the poems in We were always here.
Not this again was written in summer last year, in the wake of some homophobic yelling that I thought was long behind me at this age and in this age. Ha, if only. The incident played out pretty much as per the poem, though in the interest of brevity I left out the bit where we drove home rehearsing all the come-backs we should have made. I wish I’d gone back and bollocked them like naughty school boys but that didn’t occur to me until 20 minutes later. Ah, l’ésprit d’escalier.
I wrote Not this again in the immediate furious aftermath, let it rest, reworked it several times, took it to an open mic at the Fringe (the pic below shows me in full flow – possibly just after shouting “lezzies” at a surprised audience), and I’m delighted to see it in print.
A different take on power, Mausoleum, is the final poem in the anthology, and I wrote it after shivering through a long meeting in one of my employer’s hallowed portals, surrounded by white marble busts of dead white men. It’s my take on assimilation and still feeling at odds with (and within) the establishment, even though arguably I’ve been part of it myself for many years. Not that we should take our place at the table for granted in these times.